In The Running Man the future is depicted as an authoritarian police state with a broken economy. When our man Richards (Schwarzenegger) faces airport security and has no travel pass, he rummages through his bag until a line of anxious tourists forms behind him. “We got a plane to catch!” one yells, so the guard lets him go! Watching it today, we’re shocked at how stupid this is.
But airport security was like this in 1987, back when you boarded the plane on a staircase outside the airport, so we all believed the scene. Today, Richards would have been arrested after a DNA analysis of his dandruff, unless facial recognition software caught him first.
This depiction of the Orwellian Police State in The Running Man recalls the 80s when trust levels were so high that you could jump onto an airplane just by threatening to slow down business. They projected this sentiment into the dystopian future, which was complete with game shows, money spewing from every crack, and what in general seems like a lot of vibrant, happy people, a stark contrast to the 2010s’ Hunger Games or Looper.